A. I. R. Studio, Paducah, Kentucky
March 3 - 31, 2017
(special thanks to Dr. Estelle Cooke-Sampson, Debbi Dabney, Alonzo Davis, Cathy Neri, Michael Terra, Susan Mitz, The Paducah Fiber Artists Guild and the DC Commission on the Arts and Humanities for their support of this project.)
Materials
quilt batting and fabric interfacing (painted white using mixture of latex and Liquitex gloss medium)
Golden acrylics, chalk pastels, coloring pencils, graphite, oil stick, cotton thread
Paint Cut Weave Stitch Draw
Subject: INTERSECTIONS
(referenced by parts crossing)
MATERIAL PLACE TRADITION
RACE GENDER HISTORY
CULTURE NARRATIVE FINE ART
PAINTING OBJECT PICTURE
starting point: "intersectional"
one long braid (humanity/connectedness/binding/chains)
one long braid (humanity/connectedness/binding/chains)
black brown yellow red white (ethnicity)
ending point: braid becomes technical (no longer conceptual/subject)
Exhibition: Honfleur Gallery June 16 -August 5, 2017
Chains of Humanity 36" x 56" x 2" |
Hanging Out: We the People Blacker than Blue Chocolate Caramel High Yellow and Red Bone Too 34" x 34" |
BlackBone 38" x 24.5" |
Penetrating Blackness 31" x 57" |
Breaking the Chains of Mental Slavery Behind Our Smiley Face Masks 18" x 66" |
Balancing Act (20 Constructed Drawings) 12" x 9" |
Untitled (16 panels) 21" x 21" |
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